Painting / Sculpture
Artist · Sculpture · Kinetics
Series, Oil paint on kinetic Assemblage
Kinetic Language Study
This kinetic sculptural work explores how meaning emerges through repetition, rotation, and human interaction. Composed of hand-painted wooden cylinders arranged in a modular grid, each element functions as a visual unit—part symbol, part gesture. Bold marks in black, white, and red reference abstract typography, signage, and coded systems, while the raw wood surface keeps the work grounded in the physical and tactile.
The sculpture is designed to be reconfigured through human interaction. As the cylinders rotate, patterns align and dissolve, creating a constantly shifting visual landscape that suggests language without ever resolving into fixed text. Meaning is not prescribed but generated through permutation, chance, and participation.
By blending analog materials with rule-based structure, the piece reflects an ongoing interest in systems that sit between control, chaos, and unpredictability—where order is temporary, interpretation is fluid, and the viewer becomes an active collaborator in the work.
